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36, 460-467. doi:10.1111/j.1467-3010.2011.01924.x Schultz, P. W. (2014). … World Population Prospects: 2015 revision, key findings and preliminary tables. UNESCO. http://www.unesco.org/new/wpp/ (accessed May 18, 2019).
Shaw, E. and A. Buchanan-Shaw.
(1990). World Population Prospects: The 1990 World Population Mapping [1973].
NY: Cambridge University Press.
Sinet, M. and G. Morris.
(2006). The World Population Profile: 2007-2008 (new edition).
London: Centre for International Development.
Stevenson, L. D. and R. B. Gibbons (2006).
The World Population Profile (superset and update).
Wu, Z. and M. Z. Hsu.
1984. P. 11-13.
[51] Deleuze G., Guattari F. Capitalism and Liberalism.
Cambridge: Polity.
1984. P. 16-17.
[52] Deleuze.
Capitalism and Liberalism.
P. 12.
[53] Deleuze.
P. 21.
[54] Deleuze.
P. 17.
[55] Deleuze.
P. 18.
[56] Deleuze.
P. 16.
[57] Deleuze.
P. 15.
[58] Deleuze.
P. 19.
[59] Ibid.
P. 13.
[60] Deleuze.
G. Generation P. Historical Origins of Totalitarianism and the Struggle for Institutions.
New York, 1977 (Part I) P. 161.
[61] C. W. Beck.
The Social and Political Organization of the Intellectuals.
New York, 1921.
P. 14-15, 214.
[62] Deleuze.
G. Generation P. Historical Origins of Totalitarianism and the Struggle for Institutions.
New York, 1977 (Part III) P. 269.
[63] C. W. Beck.
P. 214.
[64] Deleuze.
Critique, p. 214.
[65] See Kierkegaard S. Fear and trembling.
Moscow: Ad Marginem, 1994.
С. 10.
[66] Ibid.
С. 118.
[67] Cf. Benjamin: “Reduction to absurdity as a mode of existence is one of the deepest and most effective modes of existence one can imagine; it is the mode by which one can exist without being human.
Benjamin W. The Work of Art in the Age of its Technical Reproducibility/Translated from the German.
Г. Per. from German by G. Shchennikova.
М., 1996.
С. 18.
“Ogorodnik” and “merchant” are two poles of Russian culture.
They are opposed to each other.
The farmer is the father, the owner, the proprietor.
The merchant is a dodgy peddler, not a master, but a hanger-on, parasite on the labor of others.
He is a man of the world, nothing depends on him.
That is why he is despised.
The merchant and the farmer make up two worlds, which during the time of Peter the Great have parted and parted forever.
And it is not Peter’s reforms, but the fact that the farmer is “not of this world.
He lives outside culture, and it “does not notice” him.
All of his creativity he “carries within himself,” he cannot and sometimes does not want to transfer his creativity to the world.
He is a “soul,” he is a “thought.”
He can only be a “thing in itself,” but not a “thing for another.
And this peculiarity of his “thing in itself” can only be revealed “in itself,” in creativity.
All of his creativity is “not of this world,” it is as if it lies “outside the world,” it is “unconscious,” and therefore it is “direct” in the form of creativity, bypassing “reason. https://matchdaay.com/screencapture-crack-serial-number-full-torrent/

 

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